01 Khsatra Vairya 1
02 Khsatra Vairya 2
03 Khsatra Vairya 3
04 Khsatra Vairya 4
05 Khsatra Vairya 5
Reçu un mail d'András (Indo) pour présenter son nouvel album / Received a mail from András (Indo) to present his new album....
Khsatra Vairya, the divine kingdom… What is this?
Maybe the old Aryan vibrations will help us to find the answer?
This trip starts on the ancient Persian streets. Sound of birds, walking people. You are just a guest in this kingdom, you are a pilgrim, but not a stranger - you've got a good guide who will lead you to all of the secret sacred places. A road to Zoroastrians temple. You've found the way to this divine kingdom.
Then we approach an old temple and watch the fire of Agiyari ("abode of fire", Place of Worship). Open the "Avesta" book and read the words of Zarathushtra.
Listen and hear the rhythm of sands and water. Sacred water in deep sands, a rose-water fountain symbolizing fragrance and happiness. Gardens with birds, running children…
Now we are going to the celebration of the fire. A dark night in the mountains and wood fire on the top. Silence and the rhythm of steel swords and gongs, which bring evil to death. A morning in the valley. You are waking up under the tree, near the lake. Again birds, again sacred water…
Navroz ("Arrival of Spring"), the main Parsis celebration. Crowds of people, glitters of fire reflected in steel of swords and worshipers' eyes. A lustre of fame and the magnificence of dresses. Fervent looks of concubine girls. Gardens, birds, mountains…Hot whirl in hot sands under the Holy Sun.
And now you are in the end of your trip… Was it the truth or just a dream? Have you guessed the riddle, will you read this dream? And, maybe, you have found yourself out? So, you have found your divine kingdom, your Khsatra Vairya.
The album in a whole makes a very positive impression, but there seem to be some problems with the quality of the sound. Therefore, this technical aspect is the only weak point of the work. The nearest parallel - classical "Muslimgauze".
(review by Sergey Gabbasov)
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