
1 Untitled 3:32
2 Untitled 10:59
3 Untitled 11:06
4 Untitled 10:08
5 Untitled 6:22
6 Untitled 8:28
Explorations in silence and electrostatic sounds from this Argentinian trio consisting of Miguel Tomasin, Roberto Conlazo and Anla Courtis. Six tracks "made only with analog and digital processings over selected blank tapes dating from 1978 to 1999". The first piece consists of barely audible hiss, with only slight variations. This is the most "blank" of all the tapes presented here. The second piece builds on the same foundation as the first, but quickly becomes much more audible with high pitched hiss and whistling. The third piece flutters comfortably at a low volume (very nice!), while the fourth begins in silence and slides in and out with variations in tape hiss. The fifth piece startled me out of my complacency with its more intrusive sound barrage, and the sixth returns again to subtler shifts and variations. Of course, descriptions of these pieces are a far cry from being an adequate response to this recording. It's the total experience of listening to this disc that really matters, and requires an account that is less descriptive and more impressionistic. The tabula rasa that is the foundation for each of these pieces is a medium we are all familiar with. The way Reynolds builds on this foundation is remarkable - sometimes barely noticeable and at others unmistakable and startling. As an aside, I recently became aware that they are performing some live shows in Argentina. I wonder what a performance by these artists would be like? Blank Tapes is an excellent addition to the Trente Oiseaux catalogue, worthy of much attention, that should be welcomed the world over by fans of this label's activities.
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