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Le second travail solo d'Andrew Chalk après Over the Edges (1999), les drones y sont majestueux et calmes, Andrew Chalk se défiant de toute facilité nous surprend sur plusieurs plans, tant sonores qu'émotionnels....
It's been about five years since Andrew Chalk released his last solo effort,
Over the Edges. His newest album comes as a vinyl-only release in an edition of 600 copies and not only does it look excellent (the sleeve artwork
and the little flourishes on the record itself are gorgeous), but it sounds absolutely majestic. Split into two side-long pieces,
Fall in the Wake of a Flawless Landscape carries with it the same foreboding energy that 1999's
Over the Edges had, but it also resonates a ubiquitous calm that feels something like floating on ocean waves. Chalk's drones stay consistent throughout, relenting only to reveal more ominous tones under the dominant ring and drag of some timeless organ. The blurred images of the cover bring to mind a haunted spectre traversing some dark plain covered in tall grasses and of unbearable size; no matter how far that figure travels, the disqueting feeling of infinity is always present. Anxiety dominates the album, but so does a sense of privacy. Throughout, I imagine myself as this fictional pilgrim caught up in some endless search and, at the same time, that long and lonely feeling opens up some kind of inner peace, as though I am happy being alone and lost. So far as the sound goes, Chalk's compositional skills are unbeatable. Whenever the sounds become too ghastly or alarming, Chalk shifts gears and somehow inverts them into striking and monumental sounds of great beauty. Strings buzz, organs disintegrate, and whales bellow their songs over this landscape, all in a harmony that defies any easy explanation. This is what Chalk does best though: defy easy anything.
Fall in the Wake... occupies several emotional and atmospheric worlds at once: the dense and open, the terrifying and the awesome, and the contradictory positions of both quiet and loud. It's a difficult middle ground that Chalk finds and weaves into music and it's a difficult middle ground that few others can accomplish. This release has me anxiously awaiting the next Mirror album and has put me in the unenviable position of wanting more solo Chalk music: five years between albums is too long to wait.
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