Talvihorros - Solo Guitar Improvisation II (Rural Colours, 2011)

1 Solo Guitar Improvisation II 16:43

'Solo Guitar Improvisation II' is the first release of 2011 from the enigmatic Talvihorros who has previous releases on Hibernate, My Dance The Skull & Benbecula.

The track was recorded in a single live take with no overdubs and minimal post-production. A prepared electric guitar, played with various objects including battery-operated devices such as the Ebow, Buddha Machine and a shortwave radio, then sent through a complex chain of effects pedals and loopers.

The result is a rich tapestry of textures, guitar melodies and waves of static combining to create a unique and modern take on live guitar improvisation.
Rural Colours

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The Inventors Of Aircraft - Lull (Audio Gourmet, 2011)

1 The Depths (Don't Be Scared) 02:43
2 The Arc Of Visibility 06:12
3 Back and Fill 06:28

The Inventors of Aircraft is a London based music project helmed by Phil Tomsett and here with 'Lull' we are proud to present three tracks of fine ambient music, themed around the sea.

With 2008 debut 'Unknown Language' out on the old Serein netlabel and then last year's follow up 'As It Is' on Resting Bell, the Inventors Of Aircfraft project is slowly gathering momentum. It is inching along further still with the inclusion of the three-track EP 'Lull', here on Audio Gourmet.

'Lull' was recorded during what turned out to be some fairly intense sessions in Phil's studio between December 2010 and January 2011. Through these sessions, around 15 pieces of music were collated at various states of completion and it then became an issue as to which he would choose to fit the bill for a fifteen minute Audio Gourmet EP.
Throughout the recording process, Phil became unintentionally aware of some kind of sea voyage theme, with flickering imagery of giant ships hauling themselves away from the quayside and powering through the water running through his imagination.
When the sessions were complete and the time came to chose the final three tracks for the EP, the sea voyage theme had remained. This prompted the overiding nautical theme to be written into the track titles and the cover artwork too.

Phil would like to extend his gratitude to Ian Hawgood who showed amazing speed and dexterity with the mastering on 'Lull'.
As with the Resting Bell album 'As It Is', Ian's mastering job really brings the EP alive...
Audio Gourmet

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Lucette Bourdin and Phillip Wilkerson - Coast to Coast (Earth Mantra, 2011)

1 Sojourners in Transit
2 Miles to Go
3 Dream Berth
4 Vales and Shadows
5 Part Memory, Part Distance
6 Destination: Daystar

The ambient music genre possesses many strengths, among them the willingness of so many artists to collaborate together, blending their oftentimes different styles and creating whole new directions and perspectives that had never existed before. One of the many pleasures of running a netlabel is being in a position to introduce artists to each other, to encourage a sense of community amongst them, and of course, to release the fruits of such teamwork to the world.

Today, we celebrate the release of another such collaboration, this time a brilliant new work by two of the most talented musicians active today: Phillip Wilkerson and Lucette Bourdin. We confess that the mere thought of these two ambient powerhouses working together on new music had us quivering with anticipation and lofty expectations -- imagine the possibilities that could come of such a duo! Well, folks, we are very happy to report that Lucette and Phil not only cleared the bar, but vaulted clean past it into the stratosphere. Wow, what an album this is.

Their new release, entitled Coast to Coast, contains a broad variety of lush and exotic electronic ambient music. Pieces with sleek and semi-rhythmic tapestries evolve dramatically into intense dynamic textural passages, and then recede again into exquisite lightness and repose. The depth and breadth of the kinds of music that these two artists have created here simply astonishes us. The music hits on all cylinders; immediately approachable, fascinatingly diverse, evocative enough for profound contemplation, and composed beautifully. This is the kind of album that listeners will want to hear again and again, just to make out all the new details that can be heard on each successive listen. Just an amazing piece of art.

So we are deeply honored and very excited to bring to our listeners Coast to Coast, the first collaboration between Lucette Bourdin and Phillip Wilkerson. Surely among the best releases of 2011 so far, and one we strongly recommend to all of our listeners.
Earth Mantra

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Hiroki Sasajima - Joya No Kane (self release, 2011)

1 Joya No Kane 16:14

New Year's Eve. Buddhist temples ring their bells 108 times at midnight. This tradition is called joya no kane which means "bell rings on new year eve's night." The rings represent 108 elements of bonno, defilements, or Kilesa in Sanskrit, which is said people have in their mind. The bells are rung to repent 108 of the bonno.
Hiroki Sasajima

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Oöphoi - Static Soundscapes: Three Lights At The End Of The World (Hic Sunt Leones, 1996)

1 Floating Through The Gates Of Time 8:03
2 Space Forest Part 1: Distant Monastery 19:30
3 Cave Ritual 11:23
4 The Chamber Of Dreams 4:22
5 Space Forest Part 2 (30:28)
Three Lights At The End Of The World
Infinite Skies / The Final Passage

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Darren Harper - Suspended Memory (self release, 2011)

1 Crystal Ships 06:28
2 Moments With Moon 06:36
3 Polaroids in the Park 04:04
4 Wind Thru Glass 03:18
5 Softly 08:17
6 Will My Memories of You Hold True? 07:28

Dusty drones, fractured textures, broken loops, and micro tones pulled forth from guitar, synthesizer, chimes, Tibetan singing bowls, kalimba, and field recordings.
This body of work is lovingly dedicated to the memory of Urias Gabriel and Rachel 'Moon' Fulmer-Winkelman.
You are forever in my heart....
Darren Harper

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Ourson - Warming Plant (self release, 2011)

1 237 07:58
2 Woven Pad & Mark 10:16
3 Memory Shield 06:58
4 Dry Centrifuge Beam 06:37
5 Surrounded By Leaves 14:16

Warming Plant was initially created on the night before Christmas Eve in December of 2004. the name Ourson was originally conceived as an exclusive moniker for this project to reflect how the album was intended for my parents. four ambient tracks were recorded in one sitting in my studio apartment in New York City using a synthesizer and a tape deck. afterward, the album was lost and forgotten for two years until moving back to West Virginia in 2006. when rediscovered, it was remastered and then shelved for five more years.

in it's original form, (1st edition) the album was printed on to a small handful of cd-rs, given to friends and family, and shared on the web to a modest audience. it's nothing like anything i've ever really written since. it's subtle, modest and very ambient.

this final incarnation (2nd edition) has been finally given artwork, a slight remaster and an additional track; Memory Shield. thank you, and please enjoy.
Ourson

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Gimu - Splendour (self release, 2011)

1 Splendour, part I
2 Splendour, part II

I started 2011 with this "prayer" thing in my mind, wanted to make songs you could use the adjective "spiritual" to describe. this is still going on, actually. Then a very good friend of mine sent me this sample of a girl singing this piece which I think is a prayer in this beautiful and mysterious language and I thought I could write a song to "wrap" the vocal in a way shoegazer bands (I love) from the 90's used to do, muffling the voice and stuff, the wall of sound guitar thing :) and the steps your hear throughout splendour part 2 were recorded in an old wooden-floored church, to keep the atmosphere. splendour part 1 is pretty much part 2 without the vocals and it works as a kinda long introduction to part 2. as simple as that. it's a preparation for part 2, meant to drag the listener into the mood...
Gimu

contact: gimugimu@gmail.com

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Hat Melter - Unknown Album (Crouton, 2003)

1 Untitled 15:45
2 Untitled 17:10

Crouton weeps with joy over this new release featuring Steve Hess, percussion; Jeff Klatt, cello; Jon Mueller, percussion; and Matt Turner, cello. Together they form ‘Hat Melter’, and quite literally too, as their names suggest. Although beyond the coincidence of the selective letters of their names, this group also combines elements of each others’ instruments to create a record of rich, vibrant sound - loaded with the texture of strings, and the melody of percussion. Strange, yes, and so is the record. The initial recordings were captured in a live setting. The cello work of Matt Turner, who is regarded as one of the world’s leading improvising cellists (as featured on Meniscus, Stellar, O.O. Discs, Asian Improv, Rastascan, Geode, and Cadence), is top notch, and is complemented wholeheartedly by vibrant cellist and recent composition graduate Jeff Klatt. Steve Hess and Jon Mueller, known Chicago and Milwaukee area percussionists, play harmonies with their cymbals, and grind Styrofoam through box fans. The results of this live session were then taken back to C. Rosenau’s studio, segmented, and analog constructed into new developments - segments as heard from the ‘ear’ of one room mic, strings picked up by snare drum mics - a reassignment of the flow of vibrations, and the feeling of ‘moments’ being pulled out of a magic hat. The end result is a record of switched sound characteristics, mixed emotions, and combined names that reveals a mysterious, often dark labyrinth of unknown sound. Two side long tracks, each with no name - unknown first by the players, and finally the listener...
Crouton

A platter of black vinyl packaged in an unmarked black cardboard jacket, with only a strip of paper disclosing some information: this is Hat Melter's Unknown Album. The group consists of four American improvisers: two cellists (Matt Turner and Jeff Klatt) and two percussionists (Jon Mueller and Steve Hess). At the heart of this album is a free improvisation, but what we hear through these two side-long pieces is a different story -- to be more precise, a different perspective. The pieces have been reshaped and re-sourced by Chris Rosenau (Telecognac, Collections of Colonies of Bees). Instruments are heard from other musicians' microphones, events have been resequenced, the whole listening experience is reconstructed following another person's point of view. It results in a fascinating but highly dizzying album. For example, at one point on side two, the quartet is split into two cello/drums duets, each isolated in its stereo channel and "heard" from a distance. A cello moves front stage center and a few seconds later everyone gets tucked away in the right channel. The technique recalls René Lussier's CD Deboutonné, where the sound engineer had the possibility to mix the input of a dozen microphones placed in and outside the recording booth, but in that case the performance was left unaltered, only the sonic perspective changed. Here, we don't know where performance ends and studio construction begins. It makes for very dynamic music, despite the highly abstract nature of the original improvisation -- which should be included as a bonus track if this album ever gets released on CD.
François Couture, AllMusic Guide

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Arturas Bumšteinas - Eterniday News (Vol. 1) (Audiotalaia, 2011)

01 Waking Song (Instrumental Version)
02 Refusenik
03 Stolby
04 Purim (featuring Pure)

Arturas Bumšteinas is a well regarded musician and visual artist from Vilnius, Lithuania. He is involved in many projects in the fields of contemporary and experimental music. His compositions have been published by many labels as physical and online releases. Bumšteinas also has a prolific career as visual artist, working on techniques ranging from video to drawings, sound installations or photography.

Eterniday News (Vol. 1) is a compilation of four compositions centered on many aspects of soundscape composition, sampling and recombination. Composer has prepared quite a long oeuvre that portraits different moments during his touring around Europe. In general the whole release is a tour around different aspects of Bumšteinas interest in contemporary composition. A tour that generates an imaginary landscape of acoustic moments that has an inherent feel of sound logbook or the kind of recording you get back home after traveling.

Notes from the author:

„Waking Song (instrumental version)” is an instrumental version of original song for soprano voice and electroacoutsic ensemble from the song cycle called „Five Songs“. This cycle won 1st Prize in the Competition of Best Lithuanian Music Compositions of the Year 2009 (electroacoustic category). Instrumentals by Liudas Mockūnas (sax), Šarūnas Jankauskas (clarinet), Tadas Žukauskas (violin).

Liudas Mockūnas (sax)
Šarūnas Jankauskas (clarinet)
Tadas Žukauskas (violin)

„Refusenik” was composed from various field-recordings captured in churches around Europe in years 2009-2010. Additional sample material of wind and stones was recorded on Sylt island, Germany in March of 2010. Instrumentals by Arturas Bumšteinas (organ), Travis Garrison (crotales) Sigutė Ilgauskaitė (voice sample).

Arturas Bumšteinas (organ)
Travis Garrison (crotales)
Sigutė Ilgauskaitė (voice sample)

„Stolby” was composed from various over-over-processed samples of K.Stockhausen's music. All the sound sound material was recorded during rehearsals of Quartet Twentytwentyone for the Cut & Splice / BBC3 festival in London, 2008. Instrumentals by Arturas Bumšteinas (Yamaha PSS-390).

Arturas Bumšteinas (Yamaha PSS-390)

„Purim” is a reworking of Pure's (moniker of experimental musician Peter Votava) live performance field-sampled in Berlin, February of 2009. Instrumentals by Arturas Bumšteinas (organ and harpsichord from Berlin's Museum of Musical Instruments).

Arturas Bumšteinas (organ and harpsichord from Berlin's Museum of Musical Instruments).
Audiotalaia

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Zreen Toyz / Wehwalt - Zreen Toyz / Wehwalt (Otorragie, 2011)

1 Zreen Toyz - Sous Le Mandala Subsiste Le Cri Atavique. 16:09
2 Wehwalt - De Son Reflet Naquit Un Mandala Nouménal. 17:04
3 Zreen Toyz & Wehwalt - Déconstruction Du Mandala Par Un Vacarme Mental. 26:27

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Daniel Barbiero, Gary Rouzer & Chris Videll - Indigo Over Red On Grey (Electronic Musik, 2011)

1 Indigo Over Red On Grey

Indigo over Red on Grey represents one event in an ongoing collaboration among Daniel Barbiero (prepared & unprepared double bass),Gary Rouzer (amplified textures & field recordings), and Chris Videll, aka Tag Cloud (sound sculpture, processing & mixing). Combining diversely-sourced sound elements into audio atmospheres of varying rarefaction, Barbiero/Rouzer/Videll explore the ways in which conventional and extended string techniques can interact with readymade sounds, amplified objects and digital processing.

Indigo over Red on Grey is an electroacoustic exquisite corpse in which a double bass improvisation served as a foundation track inrelation to which sound processing and field recordings were created in a double-blind process, after which all three tracks were combined and mixed.
Electronic Musik

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P16.D4 - Kühe In 1/2 Trauer (Odd Size, 1984 (1994 reissue))

1 Default Value: Störeingabe 4:01
2 5/4/3/2/1/Wand 1:20
3 Ekstase Des Sozialismus 5:24
4 He's Afraid Of The Way The Glass Will Fall - Soon: It Will Be A Spectacle: The Fall Of A Crystal Palace. But Coming Down In Total Blackput, Without One Glint Of Light, Only Great Invisible Crashing 6:48
5 Dumpfes Begleitgefühl 4:22
6 Kühe In 1/2 Trauer 6:30
7 Paris, Morgue 3:29
8 Anselm Weinbergs Flucht In Den Odenwald 5:42
9 Rückplötzlich (Scheitze) 2:57
10 Hammer/Zange/Hebel 2:59

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Hyaena Fierling Reich - Kalahest (Black Square, 2011)

01 - smiling radiant
02 - trembling, shining matter
03 - clouds immense
04 - I am thy soul Nikoptis
05 - immense ocean of cosmic waters
06 - potentia (bursting out light)
07 - a raging ocean inside
08 - from cold december
09 - human transfixed
10 - strange to desire
11 - meteorite bright mica mercury
12 - kal a hest
13 - rosa de lobo
14 - in a strange way
15 - regent in burlap
16 - perpetuum mobile
17 - dog star rising

sound sources: vox, knives, metal percussions, wood, ebow, ceramic Mayan flutes, prepared bass guitar, hexluth, stones

recorded in Lisbon and North Portugal 2009-2011 at Gnomon Studio and Necrosymphonic Studio

all themes originally created, digitally mastered, sequenced and edited by Hyaena Fierling Reich except references: chants from the Vietnamese Hmong women, Quran surah and traditional folklore song from Trás os Montes.
poems by Guillaume Apolinaire, Ezra Pound and HFR.


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Jukka Vakkinen-Kannonen - Improvisaatioita Kanssa Siniaanet (Audio Gourmet, 2011)

1 Yksi 07:44
2 Kaksi 05:37

Jukka Vakkinen-Kannonen is a former TV documentary director who currently lives in Tampere, Finland. He now works as a computer technician assisting small architecture studios with IT services.

Initially intrigued by the work of local heroes Pansonic and Mika Vainio and then later by the work of György Ligeti, Iannis Xenakis, Arne Nordheim and Bernard Günter, Jukka started to perform and record short improvisations using sine waves and field recordings that he originally captured for his documentaries.

To accompany his work, he refers to the texts of German philosopher Martin Heidegger "...a place that the ideas and sensibility behind what I do seem to perceive as very familiar."

After four years and many hours of archived sounds accumulated through improvised sessions, he decided to edit them into a two-piece sound release titled Improvisaatioita Kanssa Siniaanet which simply means 'Improvisations With Sine Waves'
What is interesting with Jukka's work is that instead of the at times irritating and shrill sound that we often associated with sine waves, he has painstakingly carved out a pair of viscous soundscapes that manage to coax out a sense of calm and transition between his several years' worth of source material.
Audio Gourmet

Transition seems to be Vakkinen-Kannonen's main concern when working with sound as we can learn from his quotes below:

"The notion of time is acquired in the passage from one moment to another not in the moment itself."

"Sine waves seem to end nowhere and start never."
Jukka Vakkinen-Kannonen.

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Coldstream - The Asleep (Audio Gourmet, 2011)

1 The Asleep 04:54
2 Delivery 05:40
3 10, 11, 9 04:22

Coldstream is the ambient-music project name of London based sound artist Dan Mumford.
He has previously released his work through the likes of the marvellous Under The Spire and Rural Colours imprints and now for Audio Gourmet, he has turned his creative ears towards putting together this short EP called 'The Asleep'.

As the title suggests, this body of work is themed closely around sleep and dreams - a much explored and familiar concept throughout the ambient music scenes.
It is not something that you'd associate with the classic fifteen minute EP duration...all too often this topic is reserved for the longer, more explorative duration of the full CD-length album.
In this short timeframe however, Dan has managed to weave in a wealth of dreamy mystery within three heady drones. They can be listened to late at low volume, inducing a lulling sleepy state or at a louder volume for a more conscious exploration of his thoroughly melodic work.

To round this EP off, we have been allowed by a photographer and artist called Georgina Richardson to use an image for the front cover that really encapsulates the loosely defined conceptual intentions of 'The Asleep'...
Audio Gourmet

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Tone Color - Today Will Not Be Like Tomorrow (Audio Gourmet, 2011)

1 Less Than Zero 07:09
2 Perpetual Sunlight 02:17
3 Vemod 03:19
4 Saudade 03:38

With a four-strong collection of ambient tracks derived from fragments of midi files and unfinished tunes that date back several years, we welcome Tone Color to the Audio Gourmet netlabel catalog.

Tone Color is Manchester based artist Andy Lomas, whose influences of Brian Eno, Harold Budd, Ulrich Schnauss, Raster Noton, Cocteau Twins, Ymo and 12k spill into his work which takes on a loosely ambient/electronica feel on the whole.
He has had work featured on a compilation album on Earth Monkey back in 2007 and also, he contributed a minute-long piece for our Coffee Break Ambient compilation that was released last year.

It is from the piece for the Coffee Break compilation 'Less Than Zero' that we began discussing the possibility of a full 15 minute Tone Color EP to come out on Audio Gourmet. Andy provided us with the full length original version of this and took the time to shape the fragments of sound on his computer into the soundscapes that make up this fantastic EP.
Audio Gourmet

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Jean-Luc Guionnet - Axène (Ground Fault Recordings, 2000)

1 Ivraie/Baragnes 27:14
2 Axène 15:54
3 Ressac/Ressac 28:13

Jean-Luc Guionnet, born in Lyon now living in Paris, has formally studied Electa-acoustic music at the Boulogne-Billancourt Conservatory as well as the Pantin Conservatory in France. While working on his Bachelors Degree at the Sorbonne School of Art in Paris, Jean-Luc started recording with good friend Andrè Almuro. Soon after while working on his Masters degree he started working with fellow French Electra-acoustic musicians, Éric Cordier and Éric La Casa. In addition to music he has worked in the experimental film field.

Jean-Luc Guionnet is not a highly prolific recording artist; only about 16 recordings to over a 10 year span, but the quality of his recordings are top notch. Two of the recordings on Axène were recorded 10 years ago and were never released. After first hearing them I was amazed that the have never been heard by the public. They are absolutely brilliant recordings that the public has unfortunately missed out on for all these years. I am very proud to bring these recordings to the surface for all to hear.

Axène is catagorized as Series I, but don't let that fool you. While a good part of this CD is rather quiet, it does build to a fever pitch while never losing its smoothness.
Erik Hoffman

"It is a little strange to find a CD by French electroacoustic artist Jean-Luc Guionnet on the noise label Ground Fault, but then again musique concrète can be seen from an avant-garde noise perspectives. The three extended (16 to 28 minutes) works included on Axène were created between 1989 and 1996 and had not been released before. In "Ivraie/Baragnes, " recorded for an André Almuro film by the same title, and "Ressac/Ressac", the composer favors textures over plasticity. Both pieces have drones, water and wood sounds, at their basis. Non-linear, these sound events are meshed together to form the soundtrack of a trek of some kind. Concrete and synthesized sounds intervene, arousing new imageries. "Ressac/Ressac" is embedded in a strong ocean theme (ressac = undertow), waves of sounds slowly approaching to gracefully come crashing at the listener's feet. Slotted between these two works, "Axène" becomes all the more academic and cold. This piece follows more traditional esthetics of sound sculpting, INA-GRM-style. It lacks movement and ambition to really captivate. But the two longer pieces are definitely worth hearing, especially for those favoring atmospheric electroacoustics"
François Couture


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project_unknown - Undefined Static Forms Of Monotone Structures (Test Tube, 2011)

1 Untitled
2 Untitled
3 Untitled
4 Untitled

«This is project_unknown again (check out tube156) with more minimal crazyness. This time around, he's playing with monotone sound structures, repeated untill your head goes numb and gets into the rhythmic pattern like an ant follows a path of sugar. Monolake comes a lot to my mind when I'm listening to this EP, especially 'Untitled #1' which has a lot in common with the 'Gobi The Desert' period from the german electronic project.
To listen very very loud!»
Pedro Leitão

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:sinclair: - 0306 (Earth Mantra, 2011)

Disc 1 - 64:43

01 - Style (8:13, 19.2 MB)
02 - Untitled (6:18, 14.8 MB)
03 - Stalker (9:58, 23.3 MB)
04 - Khomuz (9:49, 23.0 MB)
05 - Linearstone (10:46, 25.2 MB)
06 - Plain (10:08, 23.7 MB)
07 - Reverie (9:31, 22.3 MB)

Disc 2 - 55:31

01 - Didge (8:56, 20.9 MB)
02 - Mantra (7:33, 17.7 MB)
03 - Insurrection (7:48, 18.2 MB)
04 - Tibet (11:00, 25.8 MB)
05 - Water (8:28, 19.8 MB)
06 - Ritus (11:46, 27.5 MB)

Ronny Jung triumphantly returns to Earth Mantra, this time with a truly enigmatic new release from his :sinclair: project called 0306.

Ronny's 2010 :retreat: release Lordes blew us away with its minimal approach to ambience, and with its understated and tasteful sound design. Though the project name has changed, these qualities remain firmly in place in 0306. Indeed, this album contains an immensity of scope and thought that we simply find striking.

Like all of Ronny's music, 0306 studies the very essence of ambient music, the abstract and hypnotic drone that forms the foundation to all meditation and, some might argue, to all consciousness. 0306 indeed plumbs the depths of drone and texture, but feels somehow more active than Ronny's previous work, with slightly more structure and identifiable repeating motifs. Additionally, Ronny embraces tone more so in 0306 than in Lordes, though of a very slow and patient sort. The result mesmerizes the listener thoroughly but adds a keen compositional edge that we find particularly satisfying.

But make no mistake: this music is fathomless, a textbook example of pure undiluted ambience. The listener who dares to experience the two full discs of music end to end will embark on a journey of spiraling contemplation, occasionally achieving states of quiet mind, but also encountering dark and somewhat melancholy places that border on the eerie. This is music that would serve just as well for mood alteration as it would for an art installation, or even as the soundtrack to a deeply psychological suspense film. Exquisite textural ambience with a strange and haunting beauty, from an artist clearly at the peak of his powers.

So we proudly unveil 0306, the sophomore Earth Mantra release by Ronny Jung. An album we strongly recommend to anyone who loves their ambient music detailed, dark, textural, and droney. We hope to hear much more from Ronny in the future.
Earth Mantra

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