1 Adonai (10:27)
2 Steede Bonnet (13:13)
3 When No One's Listening (9:30)
4 For Carl Sagan (18:11)
Tarentel, dont la musique s'apparente au post rock expérimental, n'est pas le genre de groupe auquel nous a habitués la série Mort aux Vaches... Enregistrement live le 10 avril 2000 pour VPRO. Quatre longs morceaux s'appuyant sur un post rock à la guitare lente...
The latest in Staalplaat's acclaimed Mort Aux Vaches series of live recordings for VPRO. Tarentel might not seem like the sort of project you would expect to find on Staalplaat; their sound somewhere between Godspeed You Black Emperor! and Mogwai. Their music (at least, as it appears on this release is a compelling form of slow moving guitar-based rock (could one even call it space rock? or post rock?) with some fantastic feedback, rolling rhythms and a heavy, cradling bass that carry you through these four long tracks. Probably my favourite track here is the second one, with its balance of elements, moving from a rocking groove to quiet guitar drones, incidental sounds and feedback. It seems to capture all aspects of the band's sound in one go. Formed in 1997 and having throughout their history gone through various personnel changes, each of Tarentel's releases (on Temporary Residence, Awkward Silence, and more recently on Neurot Records) has reflected a particular shift in their sound. Their latest full length on Neurot has been likened to a somewhat unlikely combination of :zoviet*france:, Radiohead and Arvo Part. Sounds fantastic. This record for the Mort Aux Vaches series was recorded mid-2000, and is more rock-based, but the music reflects a great talent for creating some intoxicating guitar-based experimental rock music.
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