mardi 29 septembre 2009

Wilt - Blackholebutterfly (The Institute For Organic Conversations, 2000)



1 The Artistic Haunting (10:38)
2 Silver Roots (5:01)
3 Dying In Color (9:47)
4 The Introvert (4:27)
5 Inside The Void (3:44)
6 Collected (14:04)
7 The Worst Possible Box (4:27)
8 Augur Sleeps (3:52)
9 Drone (2:13)
10 Black Seas Become Me (4:53)
11 Limbs Made Of Stained Glass (5:51)

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dimanche 27 septembre 2009

Cría Cuervos - Cancroregina (Immanence Records, 2003)



1 Oficio de Tinieblas (6:48)
2 A Seeding of Ghosts (12:42)
3 Ad Infecta Loca (10:17)
4 Cancroregina (10:00)
5 Sìndrome del Norte (17:09)

Taking their name from Carlos Saura's classic thriller, Cría Cuervos are the latest new face to arrive on Immanence Records; active since 1999, the act is the sole work of Eugenio Maggi. Following some early analogue experimentations with dark emotions and a split tape release with Eniac, Maggi took a three-year sabbatical to gather new, digital equipment and further hone his ability to create chilling, tenebrous atmospheres. The seed of the project has now come to fruition with "Cancroregina" ("The Cancer Queen", after the infamous novel by Tommaso Landolfi) a five-track album filled with bizarre and terrifying sounds. The opening track quickly establishes Cría Cuervos' distinctive sound that, although certainly in the territory of dark ambient, somehow sounds completely unique. As dark, thick basses and resonance swirl in the background, strange noises play over the top - the sound of electrified metal rattling in the void. From this first hint of obscurity, the album truly gains momentum on following track "A Seeding of Ghosts". The main bulk of the ambience is created by occluded, otherworldly voices which ebb and flow in the heady vortex of sound that emanates from unknown sources. Slowly, the track disintegrates to a mere crackling of rubble beneath the ubiquitous bass surges before re-emerging as a shimmering haze of resonating glass. From this overt style of experimentation, we are suddenly taken down to very minimalist phrasing on "Ad Infecta Loca". This track sees a low drone take prominence in the track, while we strain to perceive the subtle nuances of sound beneath it. Again, the strange glass and metal are present alongside some visceral bodily noises that suck and squelch in agony as the alien cancer grows. These sounds continue to grow on the title track where, slowly, guttural rumbles grow beneath the throbbing bass and ever more gradually, processed sounds of blood and saliva seep through into the composition. Everything is then brought to a head on the epic closing track "Síndrome del Norte", where the bass vanishes altogether to be replaced by the sound of a beating heart and the gasping breaths of our internal asphixiatee. After a fashion, the heart develops an arrhythmia and collapses, while this may be the end for one, the cancerous drone lives on, rising again; deeper and more oppressive than before, it builds slowly upwards through the frequency spectrum until eventually, with a final blast of aggressive noise, it has consumed all. This is certainly not what you would expect from a dark ambient album, as it adheres to none of the genre's conventions while taking in the most obscure moments of Wilt and Nurse With Wound to create a wholly disorientating and disturbing passage through the outreaches of sound.
Immanence Records

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Rapoon - Cidar (Staalplaat, 1994)





1 Refraction (8:38)
2 Borderlands (4:08)
3 Black Fell (2:37)
4 Estuary (4:39)
5 Red Water (6:04)
6 Noord (6:10)
7 Goost (5:46)
8 Cimbala (9:43)
9 Lake (6:50)

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samedi 26 septembre 2009

Rapoon - Fallen Gods (Staalplaat, 1994)



1 Sanctum (9:10)
2 Iron Path (7:39)
3 Fallen Gods (11:19)
4 Breathing Gold (5:44)
5 Sataranum (9:16)
6 Sacrement (8:21)
7Khomat (1:21)
8 Dusk Red Walls (5:17)
9 Valley (12:24)

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S.E.T.I. - The Geometry Of Night (Incoming!, 1996)










1 Fire Night (7:52)
2 String Theory (9:32)
3 Music Box (6:43)
4 Cobalt (6:45)
5 Fl.13 (6:58)
6 Prayer (7:10)
7 Mare Crisium (8:28)
8 Metastorm (8:14)
9 Lofly (11:08)

S.E.T.I.'s releases ostensibly explore the darkness of space, but Geometry of Night also advises us to keep a wary eye on the dark side of human nature; it's already watching us via modern technology.
Andrew Lagowski is S.E.T.I., so you'll hear many of his trademark touches; technology-related samples, slow-beat percussion and finely-tuned electronics, all constructed around a central, thought-provoking premise. Geometry of Night 's "theme" focuses, often indirectly, on covert electronic surveillance; "espionage goes high-tech".

The opening track, fire night features a sampled newscast after an anti-aircraft attack. Dark layers of synth ooze over computerized rhythms. The result is low-key, yet edgy. string theory relies soley on musical elements, most notably a chant-ish solo voice wordlessly mixing with the flowing streams of various keyboards, including swells from a pseudo-"string" section. Rich bass notes work with the active, yet subdued percussion.

music box is animated by an intricate construction of electronic cymbals and beats (a bit of distantly booming timpani, even). The synthwork shifts in elusive patterns. As always, a subtle work of wonder. cobalt is only a bit more aggressive, the rhythm being slightly more insistent, the electronics funked up just a tad. A distorted male voice repeats a short phrase, something about Tokyo... This track is the disc's short runner at 6:44.

Gently reverberating tones and echoing blips impart a more overt "electronic" flavor to f1.13. Occasional hisses, burbles, samples and record skips arise from the mix, but never bludgeon the listener. pryaer distinguishes itself immediately with the electric "whooping" that is its heart. A low haze of synth chords settles over the piece; other effects fade in and out of this fog. Somber, but delightfully so.

mare crisium opens with what seems to be a training tape for the modern techno-warrior. It soon becomes a beautiful, melancholy choral piece underlaid by spacious effects, a work for some electronic cathedral. Eventually, percussion kicks in, lending an entirely different air for its closure. More samples appear in metastorm which moves with a somehow jerkier syncopation. The ominous, heavily processed voices again speak of the "information warrior".

The longest (11:08) track closes the disc; lofly is "spacier", driven by a quiet bass riff and whispering percussion. Deep, dark and exploratory, this is probably my personal favorite (along with mare crisium).
It's unobtrusive enough to be ambient, beaty enough to be techno. Much like Lagowski's Ashita , I'm impressed by the almost-microscopic details of this sonic tapestry. Artfully restrained and highly interesting, Geometry of Night warrants an enthusiastic Thumb Up.
Ambient Entrance

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jeudi 24 septembre 2009

Howard Stelzer - This Map Is A Gift (Gameboy Records, 2006)



1 This Map Is A Gift (39:02)

Howard Stelzer, .... Just like a turntablist, he plays around with cassettes. Using the fast-forward button, but also by placing the cassette players on metal plates, he creates a world of his own. But he works best when playing improvised music with others. As this is one piece, recorded '2004/2005', I assume it's a collage of various recordings, including pieces he played with Richard Francis (laptop), Stefan Neville (drums and tapes) and Clinton Watkins (guitar). Stelzer creates thick, densely sound fields of highly obscured sounds. Rather lo-fi in approach, but it's an intense sound, one that has many detailed sounds that work together on many levels. It's hard to categorize this as noise (although it has elements thereof), improvisation (but it's certainly more composed by collating the various elements together) or as drone music, even when it has a certain drone like quality. As references to the latter, one could think of people that use close miking, such as Af Ursin, Yannick Dauby or Micheal Northam. Played loud, this is certainly an intense affair, growing into a menacing affair.
Vital Weekly

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mercredi 23 septembre 2009

Slow Listener - Only On My Own Am I Truly Loved (Celebrate Psi Phenomenon, 2007)



1 One Coffee Short Of Intelligence
2 Bad Santanna
3 Sarcasm My Old Friend
4 Random Harvest
5 "..............Of Water And Salt"

First in a new batch of releases from Campbell Kneale and his Celebrate Psi Phenomenon label. This one from some mysterious UK outfit called Slow Listener. Kneale has dubbed them slumberpunk which is as good a descriptor as any. Five tracks, the shortest 7 minutes, the longest 14, each an expansive sonic sprawl, from distantly drifting soft fuzzy warbles, to silvery slivers of high end twinkle and glimmer, from full on lo-fi vacuum cleaner hum, to crumbling soundscapes of muted melody and mumbled industrial clatter, from cavernous scrape and shriek, to effulgent streaks of white hot guitar grind, from gauzy soft focus melodic whir, to thick swirling shimmer, from dense blistering abstract space psych blow outs, to upper register sun dappled ur-drones, a gorgeous and utterly dreamy cacophony of sound.
Birchville, Skaters, Yellow Swans, Quetzolcoatl, Bonecloud, Bonus, Ghosting, you can now add Slow Listener to that ever growing list...
Aquarius Records

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RST - Warm Planes (Corpus Hermeticum, 1999)



1 Black Sand (4:31)
2 Transform (9:56)
3 The Brothers (5:14)
4 Dark Star (7:13)
5 Voltage (Dub) (7:13)
6 Pylon (7:04)
7 Wasted Magic (6:02)
8 Fuselage (9:50)

Warm Planes is much more of a drone based disc, downright dreamy at times, an amazing collection of dynamic tectonic guitar-drone rumble, very prescient considering the current love of all things doomdronedirge. And holy shit does this stuff hold up. Dense and thick and viscous, these tracks move at a crawl, slowly and completely engulfing everything it their path, filling your ears with a murky black buzz. Some of the tracks dial back the grrrrr a bit, offering up soft ripples of muted feedback, and shimmering swells of amp buzz, while others are expansive sheets of crystalline shimmer, but the majority, are thick and snarling beasts, steel strings reverberating through big black speakers, and wrapping us up in thick tendrils of guitar growl.
Aquarius Records

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lundi 21 septembre 2009

(VxPxC) - The Last Days Of (VxPxC) (Foxglove, 2006)



1 Retablo
2 Churning Of Angels
3 Massive Squallor
4 The Heart's Lament
5 Out, Out Damn Moon

after their monster 3xCDR set from earlier this year, we just knew that one day the los angeles-based (VxPxC) would steal our little hearts. on this, their final session of 2005, these boy wonders extricate spacious, intricate compositions from the spiral galaxy drones of yesteryear. a vast array of instrumentation provide the perfect canvas for these majestic spells. this is music that grows from the roots, falling head-first into the icy tendrils of the new dawn. their voices pierce the organ murk and guitar expanses like lonesome souls begging to be freed. this is magical toward oblivion.
Foxglove

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Drona Parva - Salvia Door (Time-Lag Records, 2005)



A1 Salvia Door
A2 Pfefferminz
A3 Hollow Breath Pt. 1
B1 Fire From The Lions Mouth
B2 Lost Island
B3 Hollow Breath Pt. 2
B4 Hollow Breath Pt. 3

first proper full length outing since 1999's self-titled disc… while the vibrations still draws heavily on the mighty drone,this time around the sound is much more focused on the raw emotion of the moment… primitively executed & spontaneously recorded… a short, low-level series of late night tone poems & song fragments, played on acoustic & electric guitars, organ, moog, percussion & dying tape machines…
Time-Lag Records

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samedi 19 septembre 2009

Dronæment - E Stœ (Dachstuhl Records, 2006)



1 Plonæ (16:45)
2 Dœnæ (9:06)
3 Wæit (6:27)
4 Degro Nœ (14:50)
5 E Stœ (24:32)

The nearly perfect drone- masterpiece, epic soundspheres with deep sub- drones, builds an own time- channel, boundless, timeless, subjectless.. very much recommended for drone- lovers!!!
Stefan Knappe

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Peter Wright - Folks Songs And Blackness (self release, 2006)

** sorry, no cover artwork **


1.1 Another Gate
1.2 Death Ships Approaching (Drugged Mix)
1.3 The Terrifying Realization We Might Be Wrong
1.4 Hackney Tower Block
1.5 Whispers
1.6 Magpie Attack On The Back Road To Albert Town
1.7 Little Voices
2.1 Folk Song For Obsession
2.2 Folk Song For Contradiction
2.3 Folk Song For Addiction

Limited tour only release. Edition of 50 copies.

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The Shuttered Door



Reçu un mail de hk / Received a mail from hk

The two EP's contained in the download were recorded over a period of eighteen months or so, based on samples and field recordings gathered while traveling for work (and some were recorded while on holiday in Massachusetts and California, while some other recordings were sampled from other unrelated recording projects that I'd worked on), with voice, bass, and other instruments added at home (in Texas). They were given away to friends as cd-r's (the first was a 5" printed cd-r in a trigger-pack, while the second EP was a 3") in editions of 12 copies.

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jeudi 17 septembre 2009

Oöphoi - Signals From The Great Beyond - The Complete Recordings (The Crop Circles Enigma) (Umbra, 2006)












1-1 Kolenhaar (11:19)
1-2 Lightwaves (12:22)
1-3 Geometry (11:04)
1-4 Sculpting The Fields (24:20)
2-1 Suspended Matter (7:46)
2-2 Neteru (47:14)
3-1 Night Of The Ant (36:58)
3-2 The Saros Cycle: Phase One (9:51)
3-3 Rings Of Light (3:30)
3-4 The Saros Cycle: Phase Two (20:54)

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mercredi 16 septembre 2009

Caul - The Sound Of Faith (Katyn Records, 1996)







1 Kyrie (7:45)
2 Somnia A Deo Missa (2:46)
3 Nature And Grace (6:12)
4 The Redeemer Of Blood (6:20)
5 Parousia (8:47)
6 Sicut Ovis (2:23)
7 Metempsychosis (3:07)
8 The Type And Shadow Of Our Bodies (2:49)
9 Theophany (2:51)
10 Adumbratio (4:05)
11 Ankou (11:58)
12 A Golden Bell And A Pomegranate (2:07)
13 Expurgate (3:18)
14 The Seven Abominations Of The Heart (5:11)

Darkwave music posits that your ambient background could be a bit gloomy and your dance music could be a bit funereal. Here is a solid example ripe with possibility as the best psychological thriller. Caul is among the most ethereal and sublime of this genre. See yourself sleeping on the black and gray beach of an ocean full of a viscous, glistening, dark-blue liquid. Storms act on the horizon in the cinematic metaphor of this audio vision. Extremely downbeat and minimalist, this is noise rock reduced and removed to a far location.
All Music Guide

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lundi 14 septembre 2009

Nurse With Wound - Gulls Just Wanna Have Fun (ICR, 2005)





1 Untitled (0:59)
2 Untitled (15:58)
3 Untitled (1:08)
4 Untitled (0:56)
5 Untitled (9:34)
6 Untitled (0:40)
7 Untitled (0:55)
8 Untitled (14:49)
9 Untitled (2:20)
10 Untitled (14:20)
11 Untitled (15:00)
12 Untitled (3:14)

"Various Broadcasts and Audio Debris"
Available only with the first 250 copies of the Shipwreck Radio Volume Two.

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Premières réalisations / First Releases of netlabel Elephant & Castles


Elephant and Castles is a four-hand record label investigating and cultivating a field in between documentary, field recording, unusual sound practices.
All the releases are available both as free downloads on the website and as limited editions cdrs with home-made artwork and beautiful packaging.
All works are released under the "Attribution Non-Commercial Share Alike" Creative Commons license (cc.BY.NC.SA)

to get in touch or not receive any more emails from us:
elephantandcastles@yahoo.fr

visit and free download here


This karaoke was recorded somewhere on the Baltic sea on a night ferry going from Stockholm (Sweden) to Turku (Finland) in May 2008.

The DJ was a fat tattooed balding rocker, the public was getting drunk on duty free alcohol an the tv was on the sports channel. Gangs of aging ladies all dressed up for the night out were roaming back and forth competing only with the students wearing their graduation cap and preparing for the early disco... Meanwhile one could enjoy finish tangos, drunker's classics and melancolic ballads sung by the best...


“In the evening you can enjoy live entertainment and a delicious dinner. On board there's always something for everyone”




Second 'studio' album from Berlin-based Adam Thomas. 30 minutes of understated melodic drones, cassette symphonies and analogue disintegration taken 'live' from over 100 salvaged and reconstructed tapes found, bought & borrowed over a two year period.
100 Cdrs with commissioned artwork and inserts.

***************

Formed in May 2006, Preslav Literary School is the project of Adam Thomas, a writer and musician based in Berlin. Previous albums released on Glosses Fur Die Masses and Clinical Archives (first 'studio' album Autumn Bricolage had over 7500 downloads from archive.org).

**************

Artist Notes:
“Beautiful Was The Time is the result of two years of listening. The sounds are almost exclusively taken from 100 cassettes and microcassettes found, borrowed or bought in that period, with each having had their own journey before coming into my possession. Recording onto a C90 is both an act of erasure and creation. Every centimeter and second of magnetic tape holds a narrative, but stories only truly live in the associations formed through giving, finding and listening.

Early in 2009, in a Berlin apartment, I began playing back the cassettes. Over one week, sets of coincidences emerged from the tapes' contents that identified themselves as structures previously hidden. Using simple equalization I began to uncover more ghosts, sounds from old recordings by others and patterns within the tape hiss. Using a four-track tape recorder, a microphone and a Casio PT-80 (owned since I was three years old), I began to enter my own sounds directly onto the tapes, into the mechanism of retrieval. Before long I could not remember which were my sounds and which belonged to the original tapes. Organising memories of the tapes using diagrams on paper, adding occasional radio overheard broadcasts, I recorded these findings as a composition directly onto the computer with minimal editing.

The resulting album is an archive of sounds that should have been lost. It is also a homage to my surprisingly effective ability to forget. While I can be held responsible for certain duties of arrangement, no blame or credit can be attributed to me for the sounds within. Those that I did not make will hopefully be reclaimed by their creators, just as an author might notice an idea he once had in the sentence of another. Those sounds that I did create, I have long given up hope of remembering.”


First “studio” album from the French duo. Field recording based compositions from concrete to abstract, often narrative never illustrative. A warm and playful album with the real ability to transport the listener to imaginary places ...
100 Cdrs with color artwork and inserts.

**************

Biog:
Since 2008, Hotel Gromada is the sound project of Nicolas Perret and Cédric Anglaret. Using reality as a raw material, Hotel Gromada always oscillates between the extremely concrete and the abstract creating imaginary places through a non-pictorial narration, getting close to what could be a cinema of sensations where images are made up by the public's own imagination. Far from an objective point of view their way of working -traveling, meeting people, getting involved in local life...- implicates from the beginning the presence of the recorders and hence the subjectivity of the recordings.
In between concert and live installations each presentation is a live set especially prepared to fit the space and context: very soft and quiet sounds for a headphone festival (Paris, Bruxelles 2007-2008), abstract and loud for noisy places (Finland, Berlin, 2008) or precise and wide sounds for an ancient church (Galeria El, Elblag, 2008).

**************

Artist Notes:
“The three main tracks of Amazonian Rovers, each with a totally different atmosphere, were composed separately during the winter 2008/2009. In the idea of a live set for a Spanish tour, they were put together and transitions which soon became new tracks were added in order to create a 35 minutes piece. The piece was then cut into tracks back again and arranged for this cd version.
All the sounds used were recorded by ourselves in the ten past years in various places around the world including: France, Poland, Russia, Peru, Portugal, Finland, Spain, Romania, Bulgaria, etc... recording devices ranging from DAT to mobile phone.

For us, the act of composing begins with listening. Improvising a lot, we are first of all active auditors of our own recordings looking for their texture, timbre, melodic or rhythmic quality, details or imperfections.
When a structure is found, we then refine each layer for what it brings to the overall composition and, through mixing we sculpt atmospheres that we like to be serious and playful at the same time, strange and sometime uneasy but also sweet and warm; imaginary places we hope to transport the listener to.”




This recording was made on a very sunny spring afternoon strolling around place de l'Albertine in Brussel during the Fête de l'Iris, the city's days. For this occasion various sound sculptures by Etienne Favre were installed on the square to be manipulated by the passerbys... Under the amused and a bit jealous eyes of their parents, children were playing focused on their music without paying attention to the activity around, chips and Ricard vendors as well as the DJ checking the sound for the night show. Sweet as the wine...
30 Cdrs with lino block printed artwork and inserts.




Second album of Cawa Sorix, Pipistrello is a mix of various compositions recorded over the past few years. Working with tapes he writes his poetry with his dictaphones mixing found footage, music and his own voice in a playful collage cut up. Sometimes violent or epileptic, sometimes sweet and touching but always humorous such is the bizarre universe of Cawa Sorix.
50 mini Cdrs with original handmade artwork (3 drawings/cd) and inserts.

*************

Biog:
Cawa-Sorix is the sound project of Grenoble (fr) based poet, drawer and artist Tito Gascuel. Since 1995 he sometimes works as an illustrator, has released several books and images -recently for the Orbis Pictus Club, but also fanzines, tracts, collages, mail-art, micro-edition and cut-up comics. He has also composed writings and soundtracks for theater, radio pieces, movies, and showed cheap videos and exhibitions in such places as squats like "Le Brise Glace" or "La Generale" (Grenoble, Paris, etc.). His first album Fledermaus was released in 2004 by french label universinternational.

*************

Artist Notes:
“C’est le moyen pauvre qui m’a donné l’idée. Tape-to-tape = vampire business. One night, Bruce Wayne saw a living bat, as an omen : « I shall become a bat ! », he said (1939). C’est la superstition qui fait les noms d’artistes, as the college’s names : Aragon, Prévert, Pablo Neruda. Nothing to do with that stuff, my loving technique ISN'T about FAME. Just need some good sounds, voice, a floor, a machine. Sometimes i stop, but mostly i don’t. J’ai seulement besoin d’appuyer sur les touches du lecteur, un besoin inutile : unusefull is my lovable technique. Originally, my audio-tape player was defective; so, i obtained double tracks, and often overdubbed them. A rub’a’dub style is born. Not my voice, not my music, mais something like le kung-fu. Ou pire. Meanwhile, i met some clever people that loved that. This is writed, this is done.“


visit & free download here

dimanche 13 septembre 2009

Asher - Landscapes Elsewhere (CONV, 2006)



1 Where The Blue Appears Not Quite Blue (20:08)
2 There's No Color Besides A Blue (6:29)
3 The Traveller Pierced By Arrows (6:09)
4 Last Rays Of A Painted Sun (20:09)

landscapes elsewhere is Asher Thal-Nir’s third release on netlabel Conv coming after “graceful degradation” (cd-r) and “invariably the blue” (mp3). It’s also the follow-up to “Directions” (cd-r) released by Leerraum. A noticeable difference in this newest album when compared to the aforementioned is the inclusion of more harmonious and organic elements. But Asher’s music is more than just about sounds - it’s also about images, perception, and emotion.

Having listened to landscapes elsewhere two things come to mind. The first is the soft chroma of a favorite color - grayish-blue - a diffused and pleasant hue, that I find very soothing. The second is the most enjoyable season to me - Indian Summer (actually an atypically stretch of temperate and sunny weather occurring in late Autumn in the Northern Hemisphere) - with its comforting warmth and subdued, hazy sunlight. Asher has said that he is reluctant to talk about his music and a little reflection on my part reveals why. The music that he composes is more than just about him and the sounds and the minutiae of their creation. More importantly, it’s about the listener and about how the sounds are interpreted and what affect they have on the listener.

On the surface level I can easily describe the music because all listeners will hear similar sounds although we might use different words to describe them e.g. soft, harmonious gently resonating above a layer of the light static pop-and-crackle of an old vinyl record coupled with field recordings of watery noises, birds, and other organic sounds and even traces of a subtle, but noticeable, high frequency droning whine. The album consists of four compositions: “where the blue appears not quite blue” (1) and “last rays of a painted sun” (4) both exceed 20 minutes in duration while “there’s no color besides a blue” and “the traveller pierced by arrows“ (2 and 3) are considerably shorter each being near 6 minutes in length. As is with much of Asher’s work, there is an unmistakable homogeneity between the compositions which gives the album a very coordinated ambiance, but concentrated listening reveals enough divergence between the compositions so that each stands on its own.

landscapes elsewhere
has the quality of being variable relative to the listener‘s present state of mind. As I write this review, the weather is unusually pleasant here in the Midwestern United States for this time of year and life is good right now. The sounds as I perceive them from listening to these compositions in this existing moment are relaxing and emotionally reassuring. Were the weather more unfriendly or life more difficult, my experience of the music might be considerably different. How we perceive the music is partly colored by the present moment.

If you’ve enjoyed Asher’s other works, then landscapes elsewhere will not disappoint you. If you’ve found his previous work to be too minimal and abstract for your tastes, then you will be pleasantly surprised with the inclusion of more harmonious sounds and field recordings which make for an overall more organic release.
Earlabs

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samedi 12 septembre 2009

Jeph Jerman - Drumb (AARC, 2006)




1 Untitled
2 Untitled
3 Untitled
4 Untitled
5 Untitled
6 Untitled
7 Untitled

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mercredi 9 septembre 2009

Andrew Deutsch - Rain Raga (Magic If, 2002)



1 Untitled (22:18)
2 Untitled (7:17)
3 Untitled (5:33)
4 Untitled (3:57)

Composed from a combination of "found object" scores created on a Bally computer (1980), violin, and Indian theater music from the 1970's.

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mardi 8 septembre 2009

Michael Prime - Borneo (Mycophile Records, 2007)








1-1 Year Of The Cock (9:55)
1-2 Tongkat Ali (8:27)
1-3 Rafflesia (14:04)
1-4 Insect Strategies (12:19)
1-5 Plasmodium (11:51)
2-1 Fish Nibble (3:36)
2-2 Nepenthes (17:32)
2-3 Montane Forrest (6:11)
2-4 Banana Rattan (8:30)
2-5 Rogon Walking (5:02)
2-6 Hungry Ghosts (23:11)
3-1 Insectivorous Bats (19:42)

The rich lowland diptercarp forests are rapidly giving way to Oil Palm Plantations, but there are still some pristine forest areas where ancient primary forest trees can be seen, their massive trunks rising straight up for over a hundred feet.
Out of the steamy lowlands, the massive bulk of Mt.Kinabalu rises to a height of 14,000 ft, providing a refuge for many endemic species that prefer a cooler climate.
Here, northern hemisphere trees like evergreen Oaks and Chestnuts mingle with southern hemisphere conifers like Podocarpus Agathis and Dacrycarpus.

These montane forests provide shelter for a variety of tree ferns, rattan palms and climbing Lycopodiums, Higher still is a cloud-forest of twisted Leptospermum and Dacrydium trees, whose nearest relatives are found in Australia and New Zealand.
The highest slopes of the mountain are mostly bare rock, scoured clean by the glaciers found here until just 3000 years ago.

The Rafflesia are a strange genus of parasitic plants, famous for producing the largest flowers in the world. They are root parasites, completely invisible above ground until one of their enormous flower buds breaks the surface.
Their life cycle is poorly understood and ther seem to require a certain amount of disturbance. Since a nature reserve was declared to protect their most well known locaton at Poring, they have ceased to flower within its boundaries!
We were able to find one flowering on a farm nearby, and the owner was kind enough to let me attach electrodes to one of the flowers.
The flowers smell of rotting meat, and attract numerous files.

Tongkat Ali (Eurycoma longifolia) is an indigenous tree of Borneo, whose powdered bark enjoys a reputation as the local equivalent of Viagra!
It is also mixed with ginseng and coffee to make a very refreshing hot drink.
I was pleased to find a tree that had been included in the planting scheme of a gold course popular with local businessmen.

The genus Nepenthes is notorious for containing the world's largest carnivorous plants. Some of them have pitchers large enough to drown a squirrel, and they can climb high into trees in search of prey.
Finding a specimen to record involved climbing My. Kinabalu, and I soon found that my portable recording equipment began to seem much heavier than it did at sea level!

Finally, I was able to record specimen of Nepenthes x kinabaluensis growing in ultramafic scrub not far from the summit trail, as other exhausted climbers trudged past to use the facility at a small rest stop.

All Living organism produce a faint electrical field, which constantly fluctuates according to the state of the organism.
In Plants, these fluctuating voltage potentials can be seen to reflect a number of natural cycles, as well as transient events like water stress, attacks by predators etc.
The bioelectrical field varies not only with periods of light and dark, but also with cycles of the moon, magnetic storms and sunspots.
By connecting plants to a bioactivity translator, we can listen in to their life processes, and even hear them reacting to transient events.
Plants are able to react instantly to charges in their environment.
Do we consider this to be a form of consciousness?

The bioelectrical sounds I recorded in the field are used mostly in manipulated and intermodulated form in the compositions here, but always retaining their natural rhythms.
In the field, choices have to be made about the parameters the translator is set to, which will affect frequency range and other aspects of the sound.
Nevertheless, the rhythms which emerge are very much a reflection of the life processes of the plant.
A dead plant, or a fruit or vegetable which has been picked, produce only a static tone.

Two Ultrasonic transducers with heterodyne frequency conversion were used to record the ultrasonic sounds of bats and insects.
These recordings have not been manipulated, edited or latered, the listener can follow the movements of the bats in real time as thery locate insects and zoom in, speeding up their echolocation sounds to obtain better resolution in the ''sound picture'' they are receivin of their prey.

Unless mentioned otherwise, all acoustic recording were made on the move, using a pair of binaural microphone, as well as making bioelectrical recordings of plants, and ultrasonic recordings of bats and insects, I also set up small installations, ''stalking'' with the binaural microphones.

''Banana Rattan'' contains a live recording of an installation that featured the amplified bioelectrical signals of a Rattan Palm, and an as yet undescribed species of Banana, recorded beside a mountain stream.

The installation featured on ''Hungry Ghosts'' used voices from a local shortwave station, undergoing live processing on a laptop. I trecked into the coastal forest just before midnight to record this, and on the way there, suddenly found my feet sinking rapidly into a clammy ooze. The rising tide had turned what had been a dry creekbed into quicksand.
I Managed to sit back onto dry land, and then rashly dipped my foot into the quicksand to retrieve the sandal. Though only a couple of seconds had passed, there was no trace of it, as if it had been pulled down by unseen hands. I took off the other sandal, and proceeded on bare feet.
Michael Prime

1-01 - Year of the Cock

* Index pt.1: Sounds of construction echo through primary forest near Sepilok.
* Index pt.2: Kota Kinabalu town, Chinese New Year celebration.
* Index pt.3: Indoor market, Kota Kinabalu.
* Index pt.4: Poring Hot Springs.

1-02 - Tongkat Ali

* Composition using bioelectrical signals and background sounds from a specimen of Tongkat Ali (Eurycoma longifolia) growing on a golf course, Karambunai Peninsula.

1-03 - Rafflesia

* Composition Using bioelectrical signals and backgroundsounds from a flower of Rafflesia pricei, Poring.

1-04 - Insect Strategies

* Index pt.1: Unknown insect, montane forest, Mt. Kinabalu (ultrasonic recording).
* Index pt.2: ''Car alarm'' insect, montane forest, Mt Kinabalu.
* Index pt.3: Composition using nocturnal insect sounds and bioelectrical signals of Rafflesia pricei.

1-05 - Plasmodium

* Composition using bat sounds and bioelectrical signals from Rafflesia pricei and Eurycoma longifolia.

2-01 - Fish Nibble

* Fish nibbling algae (and hydrophone), Pond on Karambunai peninsula (Hydrophone recording).

2-02 - Nepenthes

* Composition using bioelectrical signals and background sounds from a specimen of Nepenthes x kinbaluensis, ultramafic scrub near summit trail, Mt.Kinabalu.

2-03 - Montane Forest

* An afternoon recording from montane forest, Mt. Kinabalu. Cicadas compete for mates white cooling breezes disturb the tree canopy.

2-04 - Banana Rattan

* Index pt.1: Installation using bioelectrical signals from a Rattan palm and Musa species, montane forest Mt. Kinabalu.
* Index pt.2: Water tank, Mt. Kinabalu.
* Index pt.3: Composition using sounds from the above installation.

2-05 - Rogon Walking

* Composition using sounds from a nocturnal walk on Mt.Kinabalu, and bioelectrical signals from Eurycina longifolia.

2-06 - Hungry Ghosts

* Index pt.1: Installation using radio and laptop, coastal forest, Karambunai peninsula.
* Index pt.2: Oil palms in the wind, Karambunai peninsula (contact microphone recording).
* Index pt.3: Bats hunting over the beach, Karambunai peninsula (ultrasonic recording).

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link deleted, seems always for sale (here for example), this evening i will reup only the bonus cdr

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