Affichage des articles dont le libellé est Eric Clark. Afficher tous les articles
Affichage des articles dont le libellé est Eric Clark. Afficher tous les articles

dimanche 13 décembre 2009

Pelt, Keenan Lawler & Eric Clark - Keyhole II (Eclipse Records, 2003)




A1 Untitled
B1 Untitled
C1 Untitled
D1 Untitled

On May 13, 2001, at the Louisville (KY) Visual Arts Associationís gallery at the Water Tower was host to the Keyhole ensemble. Ensemble members include Eric Clark, a metal worker who made some of the singing bowls and the bronze didgeridus played here, Patrick Best, Mike Gangloff, and Jack Rose, who also play as the trio Pelt, and Keenan Lawler, who is known for electronically modifying the sounds of a cello and National steel guitar. This performance was completely acoustic, however, with the only sonic treatment being the reverb lent by the galleryís high ceiling.
"My memories of this show are of the incredible resonance of the Water Tower gallery, just an amazing alive quality to the air that let each note linger on and on and that filled the quieter moments with breath and inevitability. At one point I remember being lifted, compelled to climb to a balcony over the room and lean out to play a singing bowl. If this drops, I recall thinking as I stirred the heavy brass, we may lose an audience member...but this sound is necessary. Awhile later, a man fell out of his seat and a woman who had been lying on the floor sat up suddenly and cracked her head on a glass table." Mike Gangloff.
Eclipse Records

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Pelt, Keenan Lawler & Eric Clark - Keyhole (Eclipse Records, 2000)




A1 Untitled
B1 Untitled

This album is drawn from a pre-dawn session in a stone silo at Mount Saint Francis, a Franciscan friary just north of the Kentucky-Indiana state line. Four of the musicians, Keenan Lawler and Pelt members Patrick Best, Mike Gangloff, and Jack Rose, had played earlier that night at Rudyard Kipling's Café in Louisville. They were joined by Eric Clark, a multi-instrumentalist and metal worker who makes musical instruments, such as singing bowls and bronze didgeridus. Mikal Dimmick used a stereo microphone to capture events as they unfolded in the early morning hours of 12 July 2000. Only acoustic instruments were played and no electronic effects or processing were used.
Eclipse Records

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