little reminder: the first four of the highly recommended serie Ante Algo Azul by Nicholas Szczepanik are out

So the first four pieces in the massive Ante Algo Azul project are now finished. It seems as if I was still paying attention to the transition from piece to piece, even though they are all separate works, therefore I've decided to stream the first four pieces in full for the next week or two. A big, sincere thank you goes out to the subscribers of the project and their support. If one is still interested in subscribing, you would receive the first four pieces in the project up to this point, plus all of the eight new upcoming pieces. To subscribe, please click here.

The first four pieces can be listened on soundcloud by clicking here.

To follow the updates on this massive project, please bookmark, subscribe, and share the blog.


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VACVVM - Peaceful Atom (Test Tube, 2011)

01 Peaceful Atom 6'27''
02 Pylons 5'49''
03 SCRAM 0'49''
04 Lava Flow 1'33''
05 Oka 4'23''
06 Yenisei 6'04''
07 Leaving Pripyat
08 Work Wood Forest 6'43''
09 Radiologos 4'20''
10 Ignalina's Sunset 3'51''

«When it was born in the mind of italian musician Guglielmo Cherchi, 'Peaceful Atom' was intended to be a concept work about the Chernobyl disaster, and as a result of this some tracks are ideally connected to that topic: the title track (referring to the name of the first RBMK - Reactor Bolshoy Moshchnosty Kanalny - reactor), SCRAM (the emergency shutdown of a nuclear reactor), Lava Flow (the melted material erupted from the reactor after the explosion), Leaving Pripyat (the evacuation of the nearest city to the powerplant), Worm Wood Forest (the dead trees killed by the radiations) and Ignalina's Sunset (Ignalina was the last nuclear powerplant to use a RBMK reactor, the same model involved in the Chernobyl disaster, which was only shut down in 2009).
The other songs don't belong to this concept but are related to the environment pollution problem in Russia: Oka and Yenisei are the two most polluted rivers in the planet; Pylons refers to the Shukhov towers (featured on the cover artwork), which were electricity pylons on the banks of the Oka river. The remaining track, Radiologos, is a stand-alone song, but features an original jingle aired in Soviet Russia's radio stations.

'Peaceful Atom' was entirely built from scratch using laptop-based synthesizers and electric guitar, with the exception of a few samples. On 'Worm Wood Forest': Arboretum Bad Grund by Inchadney at The Free Sound Project, on 'Radiologos': Soviet jingle and radio recordings taken with an old military tubes HF radio and on 'Leaving Pripyat': electrostatic hiss taken from an old Kenwood amplifier dating from the eighties at high volume.

Enjoy this release.»
- Test Tube (based on Guglielmo's description)

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Daughter Of The Industrial Revolution - Path Of Least Resistance (Ono, 2008)

1 Little Did You Know About The Coming Storm 7:20
2 Opening Night 19-12-07 6:40
3 A Concise History Of The Last 50 Years Of Anger And Betrayal 7:28

Something of a departure from the Ono label's series of avant-garde mixtapes, this release features original material recorded by label founder Michael Holland with Miles Whittaker of MLZ and Modern Love notoriety. With a little further assistance from a number of friends, these two have carved out three freeform electronic narratives, calling upon a veritable laboratory of vintage instruments, including such rare treats as the ETI Vocoder, the Waldorf 4-Pole and Crumar Multiman. The subsequent compositions shift from the drone complexities offered by the first piece, overflowing with rich synth string textures and obscure signal twitches to a darker, more primitive configuration on the second, which dabbles in industrial textures and metallic, early-electronic timbres, coated in bleak, filtered echo. Finally, a third piece brings the aesthetic right up to date, taking on a kind of organic techno persona not entirely dissimilar to some of Vadislav Delay's more experimental moments. There's a clear dub influence, but none of this sounds like some rigid, sequenced production, instead there's an organic, naturally evolving quality to the rhythmic pulsations on show, keeping the music well within the bounds of an experimental mindset. A host of collaborators are credited with having got involved with the recordings, although there's no too-many-cooks issues on show here; this music comes across as supremely disciplined and strictly realised, with a keen, exploratory ear navigating the project. Excellent.
Boomkat

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Daughter Of The Industrial Revolution - Variable Resistance (Parts 001-003) (Cotton Goods, 2009)

Variable Resistance, (Part 1)
CD1.1 Legislation For The Nation 6:47
CD1.2 Transistor Blues 5:57
CD1.3 Urban Myth 4:19
Variable Resistance, (Part 2)
CD2.1 Shape 4 5:25
CD2.2 Photon Shopping 7:54
Variable Resistance, (Part 3)
CD3.1 Nutrient Flush 11:29
CD3.2 The Folding Of Paper 8:15

The dark arts of Miles Whittaker (aka MLZ, and part of the Demdike Stare, Pendle Coven and several other covert projects) have been casting their spell over listeners for the better half of this decade. His peerless record collection and associated vinyl addiction have largely informed his ouevre, roving from the blackest doom metal to glacial nordic electronics, layered drones, shuffled House, Berlin dub and Detroit techniques. His uber-dark new project Daughter Of The Industrial Revolution is the place where he can indulge those passions in solo mode over three 3" CDs for the bespoke Cotton Goods label. We've only got a slight clue what the title alludes to, but we can tell you that 'Legislation For The Nation' opens the set with a hazy piece of ambience recalling the overloaded-but-subdued ferric tones of Kevin Drumm, while 'Transistor Blues' sounds like the residue of an analogue MLZ session, where the machines have been left to their own devices, creating spectral impressions of Berlin dub. 'Shape 4' follows with a grey slate-and-sandstone toned slab of doomy atmospherics, while the acid reflux of 'Photon Shopping' coats the ears in an abstracted 303 residue. The lengthy 'Nutrient Flush' is the album's centrepiece, paying tribute to the isolationist bleeps of Mika Vainio with potent tones patiently given time to seep through the system to achieve the required results. As usual the amazingly packaged discs are housed in bespoke handmade sleeves inside customised microfilm boxes that have been individually numbered. Totally amazing music - blink and you'll miss out forever.
Boomkat

seems to be sold out visit Cotton Goods

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Coldstream - Drown/Lights (Rural Colours, 2011)

1 Drown/Lights
2 Medium Aisle

Coldstream is a London-based musician and sound artist Dan Mumford who creates his music using guitars, melodica, piano, old tape recordings, synths, percussion and field recordings. To date Dan has releases out on Under the Spire, Audio Gourmet, Aether Everywhere & Vikomt.

Drown/Lights ep contains two tracks both recorded from the same session which are based around treated guitar and bass guitar, but also incorporate some old synths, piano and organ. What makes these tracks interesting is the field recordings that are woven into them; these were recorded during a trip through the Cascade Mountains in the Pacific North West of America and are recordings of forests, wildlife and AM radio broadcasts from the area.
Rural Colours

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The 17 Sons of Abraxas - Dual Face 204 (17 Sons Records, 2011)

1 South Face 12:54
2 North Face 07:55

//north face//the darkest one//slowly evolving drone for theta brainwaves resonance research//=+=//south face//shiny but glitchy//background noises pops clicks amplification//
The 17 Sons of Abraxas

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Spheruleus - Debris (Audio Gourmet, 2011)

1 Debris #1 06:27
2 Debris #2 06:03
3 Debris #3 07:29
4 Debris #4 03:51

For the first Spheruleus outing of 2011, Audio Gourmet label curator Harry Towell has scoured his hard-drive to put together a collection of tracks that are born out of unfinished samples and discarded parts of previous projects. They have been presented as a four track EP which is aptly titled 'Debris'.

The source material was drawn from the usual collection of instrument samples that Towell's work typically comprises of, although heavily processed with 'vintage' style ambient production techniques. The resulting soundtrack is loose and drifting with moments of hiss and static - a production style that you might not always associate with the work of Spheruleus.
The aim was to draw out the near 24 minute duration as long as possible, giving the impression of time standing still and allowing these otherwise unused sounds a chance to have their 'day'.

2011 is to be a big year for Spheruleus, with CD album 'Voyage' scheduled for release on Hibernate this summer and another short album coming out on Resting Bell at the end of February. Not to mention the debut Paper Relics album recorded with brother Stuart due out in March/April...
Audio Gourmet

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Spheruleus – Forgotten Outland (Resting Bell, 2011)

1 Wilting Bounds
2 Grey Haze
3 Grass Stands Green

The sound-art of Spheruleus is produced by British artist Harry Towell with a previous discography including releases on the likes of Under The Spire, Earth Mantra and Test Tube as well as his own label Audio Gourmet. Intrigued by all things old and rustic, his music is often inspired by the rural Lincolnshire surroundings in which he lives and his first outing of 2011, here on Resting Bell, is intended to really captured this.

A short collection of deliberately loose and degraded instrument samples and field recordings, ‘Forgotten Outland’ is presented as if it were an old record found discarded inside a derelict farm building on disused land.
It comprises of blurred melodic passages and offers a faded insight into times gone by when the farmland thrived. Just like the physical state of the farm itself, the record sounds timeworn, warped and a shadow of its former self.

The instrument leads and various sounds climb over one another as if fighting for a voice. Nothing seems structured or in order, although amidst the deluge of disjointed melody, subtle detail can be focused upon to reveal parts of this purposefully concealed soundtrack.
Resting Bell

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Simon Whetham - Cold Shoulder (Audio Gourmet, 2011)

1 Cold Shoulder (Part 1.1) 02:51
2 Cold Shoulder (Part 1.3) 07:19
3 Cold Shoulder (Part 2) 06:45

Simon Whetham has been capturing and composing almost primarily with field recordings since taking part in a research trip to Iceland in 2005.
Since then he has been gaining a steadily increasing profile: exhibiting in Iceland; recording in the Amazon Rainforest of Brazil; performing at a large number of festivals and events, both nationally and internationally, notably the recent Madeiradig 2010; having work accepted for release by labels such as Cronica, And/OAR, Dragon's Eye, Con-V, Trente Oiseaux, 1000fussler, Mystery Sea, Entr’acte, Install, Lens and Gruenrekorder; commissioned by Creative Labs to build a surround sound installation to demonstrate their equipment and software; commissioned by painter Kathryn Thomas to compose a surround soundtrack to accompany her ‘Lightyears’ series of exhibitions; producing radio works for Resonance FM, Overlap.org and Kunst Radio Austria; and invited to participate in two residencies at the Art Container in Tallinn, Estonia, the second to compose new work, collaborate with other artists using sound and run deep listening, field recording and compostion workshops.
This residency has resulted in ‘Active Crossover’, a touring exhibition and exchange project which continues to tour through 2011 in four further exhibition spaces across the UK.
Future events and projects also include a performance at Experimental Intermedia in New York, and running field recording workshops in Bogota, Columbia.

Simon is based in Bristol, UK, where he has lived on and off for 14 years. Whilst much of his work is based around his travels, Simon took time out to record some sounds within his locality to make up an Audio Gourmet EP called 'Cold Shoulder'...
For four months Simon lived facing an industrial area of Bristol called St. Philips, where on quiet evenings he would wander around the buildings, listening to the city, but from somewhere very still and lifeless compared to it's daytime activity. Of course, as we all know, these areas are never silent. These nocturnal sounds of an area, normally crashingly loud, are the raw materials of 'Cold Shoulder (Parts 1 and 2)'
Simon has also put together a bonus track continuing from where he left off with this EP and it will be available to download as part of a forthcoming compilation album here on Audio Gourmet.
Audio Gourmet

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Listening Mirror - Wet Roads (Audio Gourmet, 2011)

1 Wet Roads 09:04
2 The Organist 08:44

In just a year of operation, Listening Mirror's Jeff Stonehouse and Kate Tustain have managed to put together a solid foundation to their discography with EPs out on Rural Colours and Heat Death Records. Their debut album then followed on Somehow Recordings later in 2010.

Sadly for the duo, Kate has decided to call it a day as part of Listening Mirror for personal reasons, leaving Jeff to carry forward the project. For one last excursion as the Listening Mirror duo, Jeff and Kate have assembled a two track EP called 'Wet Roads' to commemorate their work. The pieces act as bookends, with 'Wet Roads' being the very first piece of music they recorded together and 'The Organist' being the last.
To some of you, 'The Organist' in particular may feel quite familiar; this could be because a one minute edit was featured on the Audio Gourmet Coffee Break Ambient EP released last year.

Whilst this EP will always serve as space to reflect on how their sound first started out, we can thankfully anticipate a bright future for Listening Mirror as Jeff fully intends to carry forward the project.
The first solo excursion penned for release is to be a 3" cdr EP in an A3 folded poster, recorded as a tribute to the late Throbbing Gristle legend Peter Christopherson.This will be out very soon on Heat Death Records:
www.heatdeathrecords.co.uk

A final word from Jeff on this EP: "I'll miss Kate's input, the beauty and talent of which is evident in both of these tracks. We remain good friends, and I wish her the very best in her new adventures."
(Jeff Stonehouse, January 2011)
Audio Gourmet

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out soon on Heat Death Records!

Ex Confusion from Japan providing ambient guitar soundscapes. Check out previous releases on U-Cover and Somehow Recordings, soon on Rural Colours.
Zvuku from Ireland chips in 20 minutes of stunning strings and piano, a future classic that is definitely not to be missed. Previous releases on Rural Colours.
And last but by no means least, Listening Mirror returns with another EP of piano drones. Anyone familiar with the previous releases on Heat Death, Rural Colours, Somehow Recordings, Audio Gourment and aRew know this will be good, but my tip for you all is to also invest some listening time in the source material for 'Glass Slopes'. The track is by Sophie Kazandjian and is also entitled Glass Slopes, beautiful music.
These are all limited to 75 copies each in the usual 3" CDr format.

EPs will sell at about £6 each, or £15 for the set (that includes shipping to whereever you are). The £15 offer is only available at the link below and is limited to 50 copies just on the off-chance they are all snapped up before I get the chance to advertise the rest to the general public!
Heat Death Records

stream Ex Confusion - Too Late, They Are Gone

stream Zvuku - Midway Slump

stream Listening Mirror - Spires, Spirals and Stones

& purchase!

Wavespan & The Ghost Between the Strings – From Our Hands a Darkling Light (Webbed Hand Records, 2011)

01 Ghostwave Theorem 37:20
02 Valley of the Stones 07:08

In many ways, a collaboration between Wavespan and The Ghost Between the Strings is long overdue. Both artists have released music on Treetrunk and Webbed Hand, both artists specialize in ambient drone, and both use organic sounds as the sources for these drones. While Wavespan has utilized gongs, bridges, bells, Tibetan singing bowls, pianos, and metal sculptures to produce his drone works, TGBTS has focused on the guitar as his primary sound source.

“Wavespan contacted TGBTS several months ago about a collaboration, and received a series of guitar improvisations in early January (2011). Excerpts of these improvisations were processed by Wavespan and treated to various forms of signal processing, including: time stretching, reverb, delay, distortion, amp/cabinet emulation, and filtering. Next, Wavespan went to work on the centerpiece of the album, ‘Ghostwave Theorem.’ After assembling a rough structure for the piece, he began adding some of his own processed field recordings to the mix. At this point, Wavespan cut-up a gritty jazz loop, to which he applied further processing. For the finishing touch, excerpts from Michael Saunders’ The Labyrinth of Music Theory podcast were processed and added to the mix.

“The second, shorter piece, ‘Valley of the Stones,’ was assembled from some of the remaining improvisations that were not utilized for the first. In addition, Wavespan added some processed field recordings to complete the mix.

“Wavespan would like to extend a special thank you to Rurik Leffanta (xoxos), whose ‘23_words’ VST was utilized to create the endlessly varying permutations of the jazz loop you hear throughout the piece. In addition, Wavespan and TGBTS are grateful to Michael Saunders (Metatheseus), who graciously permitted the sampling of his podcast.
Webbed Hand Records

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No-xygen – …Entry to a Defiled Reverie… (Webbed Hand Records, 2011)

01 The Deserted 05:00
02 Shadows of Oblivion 06:45
03 Move To An Entry To A Defiled Reverie 09:32
04 Surrounded By Solitude 06:58

No-xygen is dark/ambient project from Greece which started in 2007 by Manos F. and Thanos M. The first release “towards the sun” was recorded in 2008 and it was a sample of space/ambient music. After more experimentations the music changed to something new, dark and eerie. In 2010 No-xygen released the second release entitled “u-235″ a more dark ambient/industrial album. This one led the project to release in 2011 the third album so far “…entry to a defiled reverie…” which is also the landmark of no-xygen’s sound and of the direction we follow so far.
No-xygen

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The Omega Core - Massive Black (Earth Mantra, 2011)

01 - Maleficence Approaches 1:11
02 - They Look Back Upon the Burning 2:17
03 - Trepidation 5:13
04 - Artwork Forbade 4:04
05 - Pending the Morning Sun 3:42
06 - Four Billion Cubic Kilometres of Shining Papyrus 1:30
07 - The Sun Rises 2:15
08 - Clockwork Fascinates 1:48
09 - As it Began, I Looked to the Sky 4:31
10 - Entropy 4:57
11 - Unfathom 2:28
12 - The Greenhouse of Abject Horrors 1:43
13 - Modulation of the Last 4:48
14 - Eons Away, They Looked to the Stars 3:31
15 - Far 1:29

We have oft mentioned how much we enjoy meeting new folks and bringing their music to our listening audience. Today, we have the pleasure of welcoming Matt Shepherd of The Omega Core to our family of artists, with his fascinating release Massive Black.

We find it difficult to categorize this captivating album. Certainly much of the music could be labeled dark ambient, replete with foreboding abstract sound sculpture and baleful waves of texture crashing all around. But much more lurks in this album than darkness, including movements of beautiful melody and radiant light. Somehow Matt found a way to blend all of these disparate elements into a cohesive whole that hangs together in a truly hypnotic fashion.

For this reason, we think that Massive Black will speak to lovers of many schools of ambient thought. Those who seek epic scope and haunting vistas will find much to love here. But likewise, those who eschew the darkness and instead crave concrete musical elements, even melody, will find parts of this album deeply satisfying. For our part, we find this fusion of ambient styles to be a novel and holistic form unto itself, a clever combination of pieces that yields a unity that stands firmly on its own, a whole whose value exceeds the sum of its parts. Truly well done.

Matt himself describes the album thus: "Being a fan of drone, and huge, dreamy soundscapes, I thought I'd have a bash at creating my own. I wanted to make something that would make my spine tingle, even after listening to it countless times during the 'inspiration' sessions. Massive Black isn't exactly that, as it's rather more abstract than I would have ultimately wanted, but an entire album full of ear-bending symphonic ambient might get a bit tiring after a while. You need to have intervals of peace and WHAM, into the climax."

If this album weren't enough, Matt has released a great deal of other music directly through The Omega Core's web site, and we encourage our audience to not only grab Massive Black for your collections, but to investigate his other work as well. Earth Mantra is very happy to bring Massive Black to our listeners, and we certainly look forward to Matt's future releases, both via Earth Mantra and beyond. Highly recommended.
Earth Mantra

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Aairria - Katharsis (Earth Mantra, 2011)

01 - Imipramine 10:20
02 - Amoxapine 9:36
03 - A Waterclock, A Ball-Jointed Doll, A Broken Piano 47:54

After a long time away, ambient prodigy Marcin Drabot returns to Earth Mantra with another collection of fathomless textural music, this time a trio of captivating pieces from his Aairria project called Katharsis.

We will confess from the outset that our admiration for Drabot's music extends very far and very deep. We consider him nothing less than one of the premier ambient artists active today, having created several pieces that we would call classics, essential listening for anyone who claims to love this genre. Needless to say, when Marcin gave us the opportunity to release another album by him, we literally jumped at the chance.

And what a release we have in store for our listeners. Perhaps unlike the artist's excellent 2007 Earth Mantra release Nasti, the music of Katharsis covers a surprisingly broad swath of the ambient landscape, at times dark and mildly foreboding, other times mellow and contemplative, and still other times textural and abstract. Our amazement at Marcin's mastery of so many ambient forms never ceases, and we think Katharsis makes a particularly apt introduction to his music for those who are unfamiliar, as well as a singularly welcome addition to his catalogue for those who have long enjoyed his work. Remarkably well done.

In fact, though we may never cherish anything Marcin produces as much as his magnum opus Inside My Room, Watching The Rain, a release that we consider to be the penultimate ambient composition ever made by anyone anywhere. we find the music of Katharsis to stand up very strongly against even this towering standard. Such a lovely collection of colors, mingled together so tastefully, that we have to say this is one of the best releases Marcin has ever produced. The compositions are especially well crafted, and complement each other aesthetically on multiple levels. This is the kind of music that suspends time, the sort of experience that speaks to a deeper consciousness well below the surface, something that you will want to hear again and again.

So it is with great pleasure that we announce the second release by Aairria on Earth Mantra, the brilliant and evocative Katharsis. It has been much too long since the last time Marcin Drabot has shared his music with our audience, and we hope that it will not be nearly so long until we again have the privilege. Highly, highly recommended.
Earth Mantra

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Loopool – Troposphere (Webbed Hand Records, 2011)

01 troposphere [00:29:54]

“loopool is committed to perpetual change and movement, using music as a medium for the power of the brain to reshape itself and rewire the synapses.”

“About: loopool has been active since 1998, releasing records continuously since 1999 and performing once every year since then. He has collaborated with the following artist for recording and live material: Oneirothopter, 100 Pieces, Danse Perdue, Alex Crockett, Stabbings and Robedoor.” — the artist

loopool is Jean-Paul Garnier
Webbed Hand Records

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Blue Albatross – Sunset and the Palm Trees (Webbed Hand records, 2011)

01 Dreamscapes [02:34]
02 Pamplemousse [02:53]
03 Walt Whitman [03:22]
04 City of Elves [04:37]
05 Craftsman [02:48]
06 Shipwrecked [02:41]
07 Banquets [02:32]
08 I’ll Meet You in France [05:13]
09 Morphosis [2:36]
10 Willow Tree [03:27]
11 Greatest Voyager [01:34]
12 Violet Transistor Bridge [02:48]
13 Cerulean Sky [02:15]

Blue Albatross is Rendi Pahlefi
About Sunset And The Palm Trees:
“it’s all about my imagination of Dreamland, Fantasy and Deep Sky in the Night Blue.”

Credit:
Rendi plays Synthesizer, Keyboard, Glockenspiel and Laptop
Mixing, Mastering, Engineering by Rendi @ Theater Airship
Artwork by Summerstar07
Bandung, West Java, Indonesia

“thank you for support me, listen to my sounds and appreciate my work”

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[mikra] – Attalla2 (Webbed Hand Records, 2011)

01 Attalla2 [01:59:17]

“Now it is a little about itself and about the given two-hour material. Was born and live in the city of Minsk which is capital of last dictatorial state of Europe (at present) @ Belarus. To me 34 years. It is dissolved. There is a daughter who is called by Nastya, and its voice is on ATTALLA2. There is a girlfriend with whom I want to connect all remained life. Her name is Nadya – and is present its image on a cover to music. ATTALLA2 – very personal intimate (for me) work. In it I tell about myself, by means of the primitive computer and analog old Soviet synthesizers. I haven’t dared to divide all sounding into separate parts as it is often accepted because then integrity of my history and the concept put in music would be broken. I can only advise – to perceive the given work as film viewing … a film about me, my life and my love.. Thanks for attention)))” —
Pavel [mikra]

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Obscure Visions – Four Roads (Webbed Hand Records, 2011)

01 Road I [03:12]
02 Road II [06:00]
03 Road III [10:02]
04 RoadIV [07:50]

Fabián Ramírez (México City, 1987) began producing at the age of 13. Also he has played his music in several parties of Mexico City. He runs his own netlabel, Heromlabs Records.

Heromlabs Records starts on january 2001 with the main objective, share his music all around the world. His headquarters are established in Mexico city. He is mainly dedicated to Hardcore Techno, Noise, Ambient, Dark Ambient, Experimental, IDM, EBM, 8-Bits, Neo-Classic and Trance music.

He runs the netlabel and various of his projects like: 101001010101 [Noise], Dr. Herom [Hardcore Techno], Obscure Visions [Dark Ambient], Button A [8-bits], Ündich [EBM] & Yspco [Trance], are part of the catalogue.

He was invited to collaborate with Toxicpro Records on 2003, there he worked in some radio programs, event production and compilations.

Then he joined to Gabbermex Crew on the same year. He is the youngest member from Gabbermex.

Fabián was influenced by a lot of artists, like Aghast, Yen Pox, Ophidian, Bit Shifter, Front 242, Converter.
Webbed Hand Records

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ZMG – The Sect (Webbed Hand Records / Black Square, 2011)

01 The Sect – p0 [01:25]
02 The Sect – p1 [03:36]
03 The Sect – p2 [02:52]
04 The Sect – p3 [01:24]
05 The Sect – p4 [04:15]
06 The Sect – p5 [02:34]
07 The Sect – p6 [04:27]

About the album:
A descent through the cracks of the end of the world,the cry of souls trapped between the weight of a sky full of sulphur and lead that falls down on earth, not leaving a single ray of light cross the membrane of a dying sun.

About ZMG:
ZMG is a contemporary composer of incidental music for films and videogames, who based his career in genres of terror, horror, suspense and impact.
He lives in Argentina. Throughout all these years he has created countless sound designs making himself a place in the national scene and also he worked for USA, Colombia, Spain, Chile, France and others.
Webbed Hand Records

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