The Long Shadow Falls (2:15)All The Pretty Little Horsies (2:35)
Calling For Vanished Faces I (1:50)
The Inmost Night (2:16)
This Carnival Is Dead And Gone (3:11)
The Bloodbells Chime (2:58)
Calling For Vanished Faces II (4:10)
The Frolic (8:11)
The Inmost Light (1:45)
Twilight Twilight Nihil Nihil (8:22)
The Inmost Light Itself (9:29)
All The Pretty Little Horses (2:34)
Patripassian (5:50)
Pièce centrale de la trilogie ‘the inmost light’ initiée avec ‘The long shadows fall’ en 1995 et achevé en 1996 avec ‘The starres are marching sadly home’, tous ces adorables petits chevaux constituent une fois de plus un coup de maître du sieur Tibet et de sa bande, avec quelques réminiscences de l’album ‘Of ruine or some blazing starres’ sorti en 1994. Entre longues plages monotones aux voix distantes (‘Where the long shadows fall’, ‘Twilight twilight…’, ), du Tibet délirant (‘The inmost night’) et ballades folk (‘All the pretty…’ dont une version avec rien de moins que Nick Cave au chant ! ‘The bloodbells chime’, ‘The frolic’…), la preuve est faite que, malgré quelques égarements dans sa discographie (surtout maintenant en fait), Tibet sait toujours accrocher l’auditeur avec ses ambiances uniques et une volonté inébranlable de provoquer l’émotion. Et ça, ça n’est pas donné à tout le monde ! (lundi 25 août 2003)
Guts of Darkness
The neofolk scene is certainly home to some of the most interesting musicians and personalities around. People in this scene range from the homosexual, fascist obsessing, mask sporting men (Douglas Pierce) to the priests in the high church of Satan who partake in organizations promoting male supremacy (Boyd Rice). Any way you look at it neofolk is certainly not a genre lacking in character. As you can tell, sometimes, these figures may carry their personalities out in less than positive manners. David Tibet, the mastermind behind neofolk act Current 93 stands above much of the neofolk scene, he does not need to rely on controversy to become a highly renowned artist, he does so simply by writing some of the most incredible music out there.
All the Pretty Little Horses is considered by many to be the peak of Current 93’s career, and it’s easy to see why. Right away from the first track “The Long Shadows Fall” you know you’re in for a trip, this song is driven by some sort of keyboard build up, unlike like anything I have ever heard before. Soon David Tibet speaks the words “why can’t we all just walk away”, this delivery may be simple, but it’s powerful, and despite being used as an intro track is always worth listening to simply because of how important it is to the album.
David Tibet’s singing is truly one of the most essential and unique aspects about this album, and Current 93 in general. He uses a good deal of variety in his vocal approach throughout All the Pretty Little Horses. On the first version of the title track Tibet uses a soft whisper, this works incredibly well with the lullaby like lyrics, some neofolk musicians try to use the whisper technique to create some sort of “dark atmosphere” but nobody comes close to matching David Tibet’s delivery. In some songs David Tibet may go a bit overboard with his voice, on “The Inmost Light” he sounds rather sadistic, which can be seen as a bit pretentious and distracting but doesn’t really hurt the album too much due to how little he goes that far. Mr. Tibet’s normal singing voice is rather high and very distinct sounding, some may find his voice irritating but it is his style that truly helps Current 93’s music convey so much imagination and emotion.
Lyrically All the Pretty Little Horses is an absolute masterpiece. The entire album deals with rather abstract themes about “the inmost light”. The title track features some beautiful lullaby lyrics as mentioned earlier, other songs such as “The Frolic” contain incredibly well written story like lyrics, that when combined with Tibet’s unique vocals paint a picture in your head truly making the listening experience amazing.
“I walk into the altar room
All the buddhas are smashed there
Avalokitesvara's hundred faces lie shattered
I have done this
I walk to the makeshift redbrick altar a hundred years ago
There is a small brass image there
I have built this
The red and black ants mill around
Unknown journeys
I take my lighter and torch them
I take my lighter and torch them
I weep, I weep
The ants scatter or writhe
I take my lighter and torch them torch them
I have done this
I am surrounded by butterflies”
Some of the tracks contain rather bizarre lyrics, such as “The Bloodbells Chime” or “The Carnival is Dead and Gone”. However despite their oddity these lyrics never prove to be distracting or hurtful to the songs quality.
All the Pretty Little Horses isn’t just masterful in the vocal and lyrical department. Musically this album is simply breathtaking. Overall the instrumentation here is far from complicated, but it certainly does not need to be to create amazing songs. The primary instrument used is the acoustic guitar, which always proves to be playing something incredibly beautiful. Whether it’s picking wonderful melodies or simply strumming pleasant chords to carry the songs along acoustic guitars are utilized very well. Other instruments are frequently thrown into the mix as well; violins make several appearances throughout this release. One of the best moments on the album is the end of “The Blood Bells Chime” when violins are played magnificently over the song to create an amazing climax to the song. Piano playing is also frequently used, which always adds a nice dimension to the songs.
Despite All the Little Pretty Horses amazing qualities it is not without fault. There are a few dragging moments on this release. For example, the song “Twilight Twilight Nihil Nihil” is a very drone-esq song with some interesting spoken sections, it’s cool for a little bit, but halfway through the song you feel like it should have ended already and you’ll find yourself becoming quite bored with it. “The Inmost Light Itself” also lasts a bit longer than it should. Additionally, some will also find David Tibet’s vocals a bit hard to digest at times, and therefore have a harder time enjoying the album.
This albums quality is further enhanced by special appearance, famous singer Nick Cave on the last 2 tracks. Nick Cave sings on the 2nd version of the title track, and his voice fits this song very well because it is so soothing and pleasant, and perfectly matches the mood of the track. He also contributes a spoken poem in the last song “Patripassian”, this song is quite similar to the intro track “The Long Shadows Fall” but a bit longer. The lyrics in this song are very interesting, and Nick Cave has the perfect speaking voice for such a piece.
For some, All the Pretty Horses is an album that will take a few listens to truly understand and appreciate, or like me, you will be able to recognize the genius of the album upon the very first listen. If a voyage of unique folk music that can be extremely moving and beautiful sounds appealing to you, than look no further than this album. All the Pretty Horses is home to everything that is good in neofolk music, and is a release that should be heard by one and all.
Recommended Listening:
-All the Pretty Little Horses
-The Blood Bells Chime
-The Frolic
Steven Moore, Sputnik Music
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